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By the late Victorian period, the bustle style disappeared; shorter trains and bigger sleeves became the trend, and the veil became the standard bridal wear. Widows who homecoming dresses remarried did not wear pure white. They wore shades of white, like ivory, including salmon, lavender, rose, or violet and satin dresses trimmed with ostrich feathers.

"Right around the '90s, people start asking for sleeves," Urshel said. "They were getting really tired of strapless."

The 1990s also saw the introduction of a more modern, flirty silhouette from the American designer Lazaro. The tight-fitting dress "looked like kind of a tango dress," and featured an assymetrical ruffle.

"I don't think he even knew that he was onto a silhouette that now is just the main silhouette in the whole store," Urshel said of Lazaro.

At the beginning of the century, the Edwardian era, the styles of wedding gowns were charming, at best. They were lavishly styled, elegant, soft and often pricey, with very long flouncy trains, sometimes over seven platforms shoes feet long. They were generally adapted to the trending styles of the day and were sewn with lots of trimmings like embroidery, lace, or frills.

Although ballkleider ubergrosse the original vintage wedding gowns were mostly made from cotton batiste and soft cream-white satin, today's version of the Edwardian bridal dress can be made with light to medium weight fabrics such as satin, taffeta, voile, crepe de chine, or batiste.

Edwardian style wedding gowns had a characteristic high lace collar neck, nipped waist, big and bold leg-o-mutton sleeves, full sweeping skirt, and plenty of lace detail. Today, recognised as vintage wedding gowns, the style is still popular for its representation of pure classic feminine beauty. Remember the “Gibson Girl” look? It was an Edwardian style.

By the 1920s, the flapper style became a hot trend. Usually cut loose, it was a ‘flirty and sexy’ style shift-dress that drops straight down the body, rather than display curves like wedding dresses of the previous era. By the long evening dresses mid-20th century, wedding gowns were almost always white and remain so until today.

In the 1950s, wedding dresses became a high fashion affair and most brides wanted to dress just like the silver screen stars. Audrey Hepburn, Marilyn Monroe, Grace Kelly, and Debbie Reynolds were the rave at the time. The popular styles they inspired had sweetheart necklines, small waists, and full layered skirts. The hour-glass silhouette was the rave.

Tea and full length strapless bridal gowns with matching lace, silk or satin bolero jackets and three-quarter length sleeves were also worn for the ceremony. It was not acceptable to wear sleeveless wedding gowns until the 1960s.
 
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